WILLIAM BUTLER YEATS
buried at Drumcliffe, County Sligo |
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WB Yeats was born in Sandymount in south
County Dublin in June 1865 and is descended from a long
line of famous Yeats'.
Jack Yeats was William's brother and a popular
Impressionist artist in the 1920s. As well, his sisters,
Elizabeth and Susan, became involved in the Arts and Crafts
movement.
His father was John Butler Yeats who was
an artist made famous by his portraits of his son William,
and of John O'Leary, an Irish poet and Fenian, the precursor
to the Irish Republican Brotherhood.
WB was a descendant of Jervis Yeats who
was a Williamite solder and linen merchant who died in
1712. It was Jervis's grandson, Benjamin Yeats, who married
Mary Butler, the daughter of a landed Kildare family.
From this union, most descendants carried the Butler Yeats
surname.
Not long after William's birth, the Yeats
family relocated to Sligo, the home of his mother's family.
WB came to regard Sligo as his childhood and spiritual
home, and penned a number of poems from inspiration he
gathered from his surroundings.
The Yeats' were members of the former Protestant
Ascendancy, a term used mostly
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by unionists, for whom it gave a "compensating
image of lost greatness." While the family was supportive
of Ireland's changes, the Nationalist revival of the late
19th century had direct disadvantaged for his heritage,
as national power began to shift. The 1800s saw the rise
of Charles Stewart Parnell and the Home Rule Movement.
In the 1890s saw an increased momentum of Nationalism,
as the Fenian's became a force to be reckoned with. The
change in Ireland's power structure and the effects it
had on all the people of Ireland had a profound effect
on William's poetry, and his subsequent exploration of
his Irish identity. These feelings would follow him to
England, where his father moved the family in order to
further his career as an artist.
Initially, all of the Yeats' children were
"home schooled," being entertained by their
mother with stories and folktales from Ireland. Their
father provided an, albeit lax, education in geography
and chemistry. William entered the Godolphin primary school
in 1877. He attended the school for four years, finding
interests in biology and zoology. The family's stay in
England was short-lived though when they relocated to
Dublin at the end of 1880, first in the city center then
later in Howth. William went back to school at Dublin's
Erasmus Smith High School. His father's artist's studio
was nearby and William spent many hours there after school,
and meeting some of the city's prominent artists and writers.
It was at this time that William started writing poetry.
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Between 1884 and 1886, William attended
the Metropolitan School of Art, now the National Collage
of Art and Design. He was eventually published in 1885
with his poetry and an essay entitled "The Poetry
of Sir Samuel Ferguson."
It was also in 1885 that Yeats was involved
in the formation of the Dublin Hermetic Order. The same
year, the Dublin Theosophical lodge was opened in conjunction
with Brahmin Mohini Chatterjee, who traveled from the
Theosophical Society in London to lecture.
Yeats was seventeen when his first works
were written, including a poem heavily influenced by Percy
Bysshe Shelley. His early works were both conventional
and, according to critic Charles Johnson, "utterly
unIrish." While his earlier works drew heavily on
Shelley, Edmund Spenser, and pre-Raphaelite verse, he
soon turned to Irish myth and folklore and the writings
of William Blake. In later life, Yeats paid tribute to
Blake by describing him as one of the "great artificers
of God who uttered great truths to a little clan."
The family returned to London in 1887, and
in 1889, Yeats co-founded the Rhymer's Club with Ernest
Percival Rhys, an British writer known for his essays,
stories, poetry, novels and plays. The group was London
based poets who met regularly in a local tavern where
they recited verse, critique each other's work and of
course sample the taverns beverages! They eventually published
a collection of their works entitled the "Tragic
Generation," which was published in two volumes,
the first in 1892 and the second in 1894.
Additional to Yeats' literary interests,
he was also interested in mysticism, spiritualism, occultism,
and
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Ben Bulben Mountain

Drumcliffe Church
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astrology. In 1892, he wrote, "If
I had not made magic my constant study I could not have
written a single word of my Blake book, nor would The
Countess Kathleen ever have come to exist. The mystical
life is the center of all that I do and all that I think
and all that I write." This interest led to the publication
of a number of works, including "Poems" (1895),
"The Secret Rose" (1897), and "The Wind
Among the Reeds" (1899).
In March 1890, Yeats was admitted into the Hermetic Order
of the Golden Dawn, a magical order of the late 19th and
early 20th centuries, practicing a form of theurgy and spiritual
development. He took on the motto "Daemon est Deus
inversus," which translates to "Devil is God inverted"
or "A demon is a god reflected."
In 1896, Yeats was introduced to by their mutual friend,
Edward Martyn. They formed a close relationship quickly.
Together with Lady Gregory, Martyn, and other writers
including J. M. Synge, Sean O'Casey, and Padraic Colum,
Yeats was one of those responsible for the establishment
of the "Irish Literary Revival" movement.
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| Maud Gonne as eighteen months younger than
Yeats. She so admired his work, "The Island of Statues"
that she actively sought him out. As it turns out, Yeats
developed an obsession with Maud. She would have a lasting
and profound effect on his poetry and his life. He later
reflected, "it seems to me that she [Gonne] brought
into my life those daysfor as yet I saw only what
lay upon the surfacethe middle of the tint, a sound
as of a Burmese gong, an overpowering tumult that had yet
many pleasant secondary notes." And after a rejected
proposal, Yeats said that from that point "the troubling
of my life began." He proposed to Maud three more times,
in 1899, 1900 and 1901, but she refused him each time. Then
in 1903, Yeats was horrified to learn that Maud married
the Irish Nationalist Major John MacBride. Yet their friendship
continued and when they both found themselves in Paris in
1908, they finally consummated their relationship, though
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Maud Gonne
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the relationship did not continue. Gonne
was noted to have said that now that they'd gotten the
business of sex between them over, they could move on.
During all the dramatics with Maud, Yeats
maintained an active attendance at Coole House with his
literary peers. In 1899, along with Lady Gregory, Edward
Martyn and George Moore, Yeats established the Irish Literary
Theatre with the express purpose of performing Celtic
and Irish plays. The Irish Literary Theatre ultimately
become the Abbey Theatre.
When John Macbride was executed for his
role in the 1916 Uprising, Yeats took the opportunity
to propose to Maud once more. It was thought that the
proposal was made more out of a sense of duty than genuine
desire to wed her, so it was no surprise when she refused
again. Yeats felt comfortable with moving on with his
life. So comfortable in fact that when he met George (Georgie)
Hyde-Lees that same year that he proposed almost immediately.
Ironically, their marriage was a rounding success, in
spite of their short engagement, their age difference
and in spite of Yeats' feelings of remorse about Maud.
The couple had two children, Anne and Michael. And spent
many happy summers in their western home near the Coole
Estate at , aka Yeats' Tower, AKA The Tower.
Yeats went onto win the Nobel Price for
Literature in December 1923. He's noted to have said,
"I consider that this honor has come to me less as
an individual than as a representative of Irish literature,
it is part of Europe's welcome to the Free State."
Yeats continued to publish and be an active
member in literary circles into his later years. But one
of his final great privileges was to chair a coinage committee
responsible for selecting a set of designs for the first
currency of the Irish Free State. He sought a design that
was "elegant, racy of the soil, and utterly unpolitical."
The committee finally decided on the artwork of Percy
Metcalfe. Years later, Yeats' own image would appear on
the Irish twenty punt note, nationally referred to as
a "Yeats note."
At the age of 69, in 1934, Yeats underwent
the Steinach operation, a vasectomy, and found a renewed
vigoe in both his poetry and his intimate relations with
women. For the next 15 years, Yeats was involved with
a number of women, including actress Margot Ruddock and
novelist and sexual radicalist Ethil Mannin. Yeats had
always found "erotic adventure" to aid in his
writing and creativity so it was no surprise when he began
to write again. Including accepting an invitation to edit
the Oxford Book of Modern Verse in 1936.
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Yeats succumbed in January 1939 while he
was in France. He was buried at Roquebruce-Cap-Martin
after a private service. He and Georgie had often talked
about his death and his express wishes. According to Georgie,
"His actual words were 'If I die bury me up there
(at Roquebrune) and then in a year's time when the newspapers
have forgotten me, dig me up and plant me in Sligo."
In 1948, his wish was granted and his body was moved to
with the aid of the Irish Naval Service.
The epitaph is taken from the last lines
of one of his final poems, "Under Ben Bulben"...
Cast a cold Eye
On Life, on Death.
Horseman, pass by.
Georgie was buried along side William when she passed
away in 1968.
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Grave of WB Yeats
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~ Free car parking available at the church
~ Visitors center with cafe and gift shop
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accessable area
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